12/30/14

What It Really Takes to Be an Artist: MacArthur Genius Teresita Fernández’s Magnificent Commencement Address


Teresita Fernández: 'Fire,' 2005

Teresita Fernández gave a wonderful keynote speech to the graduating class of her Alma Mater Virginia Commonwealth's University School of the Arts. She also gave them 10 practical tips  that have worked for her on her own journey.

  1. Art requires time — there’s a reason it’s called a studiopractice. Contrary to popular belief, moving to Bushwick, Brooklyn, this summer does not make you an artist. If in order to do this you have to share a space with five roommates and wait on tables, you will probably not make much art. What worked for me was spending five years building a body of work in a city where it was cheapest for me to live, and that allowed me the precious time and space I needed after grad school.
  2. Learn to write well and get into the habit of systematically applying for every grant you can find. If you don’t get it, keep applying. I lived from grant money for four years when I first graduated.
  3. Nobody reads artist’s statements. Learn to tell an interesting story about your work that people can relate to on a personal level.
  4. Not every project will survive. Purge regularly, destroying is intimately connected to creating. This will save you time.
  5. Edit privately. As much as I believe in stumbling, I also think nobody else needs to watch you do it.
  6. When people say your work is good do two things. First, don’t believe them. Second, ask them, “Why”? If they can convince you of why they think your work is good, accept the compliment. If they can’t convince you (and most people can’t) dismiss it as superficial and recognize that most bad consensus is made by people simply repeating that they “like” something.
  7. Don’t ever feel like you have to give anything up in order to be an artist. I had babies and made art and traveled and still have a million things I’d like to do.
  8. You don’t need a lot of friends or curators or patrons or a huge following, just a few that really believe in you.
  9. Remind yourself to be gracious to everyone, whether they can help you or not. It will draw people to you over and over again and help build trust in professional relationships.
  10. And lastly, when other things in life get tough, when you’re going through family troubles, when you’re heartbroken, when you’re frustrated with money problems, focus on your work. It has saved me through every single difficult thing I have ever had to do, like a scaffolding that goes far beyond any traditional notions of a career.
Here's the link to the speech, Teresita speech

From www.brainpickings.org

12/3/14

New work: How To: Form


 


I have a new project that I am very excited about! Despite/in spite what's been going on, this notion of bodies keeps coming up for me. How we define it, value it, and share it.

My new collaboration, How To: Form, with the uber talented visual artist Michelle Golden and the uber, uber talented Gregory Honigsberg as part of the Tiny Dance Festival premieres this week at The Brick Theater. We are Program B with a performance onFriday 12/5 @ 7pm & Saturday 12/6 at 9pm. Get yo' tickets here.
How To: Form investigates the many facets of our identity based on race, gender, and social pressures through a personal lens. Let's take a look at how we view ourselves when we think no one is looking.

This collaboration came to fruition from an impromptu photo session at Michelle Golden's Art studio in Brooklyn, NY. To see more photos of me with a red wig on and other photos in this series click here.




10/1/14

"The Unattainable Economics of Dancing" by Andy Horwitz


Liz Santoro and Cecilia Eliceche in Heather Kravas "A Quartet"
photo by Jenny May Peterson

I read this piece a few months back and was reminded of it this past weekend. Note to self, if an article or idea leaves an impression on you, you should bookmark it and re-read it again later. It feels like an entirely different me that read the same piece not too long ago.

Anyway, this piece discusses the all to well known reality of how hard it is to make it as a professional dancer in New York City. The staggering cost of life in the city, crippling student loan debt, too few paying projects, dance companies with little funding, an over saturated scene, administrative jobs that are still paying $15/hr (if you're "lucky") and a closed minded/incestuous "downtown" scene are just some of the problems we face.

It had me thinking of not only the problems I face as an artist but what my contributions are doing to the community itself. Every time I take a low to non paying job, am I possibly advancing my career with a new opportunity or continuing this practice of non-paid labor the norm? Do I continue to support the same 5 individuals who are currently being funded, supported, uplifted, and produced by the same community that shuns others not raised by their hands? Do I continue to take their classes and watching their performances knowing that the same can't be said for them for others not in the clique?

Do I continue starve for the sake of dance?

Everyone should read this article as it asks us to think about the roles we play in the community; good and bad.

My heart breaks....

The Unattainable Economics of Dancing"

9/15/14

Decadance Theatre FREE Master Class 9/20 at Hunter College

Deca is teaching a FREE Master Class this Saturday, 9/20 at Hunter College as part of their CUNY Dance Initiative Residency.
Hunter College
Hunter Hall, 6th Floor
1-3pm
Lexington Avenue between 68th and 69th.
Go dance!

The CUNY Dance Initiative (CDI) is a new residency program providing rehearsal and performance space to New York City choreographers and dance companies. With lead funding from the New York Community Trust, the CUNY Dance...
WWW1.CUNY.EDU



http://www.cuny.edu/danceinitiative

9/9/14

Banana Peel Dance: DanceNow, Steel Stacks and Joe's Pub!

I had the wonderful pleasure of attending Silo at Kirkland Farm for a dance residency this past summer with Banana Peel Dance. We had the opportunity to spend a week on the farm and we created a 25 minute performance to be presented at the Musik Fest festival at Steel Stacks. What an honor and complete joy it was to have the opportunity to just create with other artists. Each morning we had company class, rehearsal, family style meals and the beautiful outdoors to inspire us. This residency allowed us to collaborate in a supportive space and on a level most if us hadn't had in a long time. This is the kind of opportunity that every artist should be awarded and I am very humbled.

Here are a few pictures from the residency and also our performance (on my birthday!!!) at Joe's Pub on 9/6/14.

More pics to come..








7/25/14

20 Top Artist Grants and Fellowships You Might Actually Be Able to Get | BLOUIN ARTINFO




Making art is expensive business, and working artists look for any financial help they can get. To supplement the costs of fabrication, art materials, studio space, and travel, one of the most popular sources of funds is fellowships and grants. For our ongoing series on resources for artists in these tough times, ARTINFO has researched the many funding options available in the United States, and compiled a handy guides of the ones that are within reach of the average artist.


As with residencies, which we covered in two parts, we discovered that there are tiers to fellowships and grants, and not all are created equal. Some of the most prestigious and hefty prizes are the Joan Mitchell Foundation Grant, the MacArthur Fellowship, and the Larry Aldrich Foundation Award. Each come with big money grants — but they are also available by nomination only. When it comes to grant money that is attainable by open application, the pool is wide but the eligibility requirements also vary greatly — from awards for making comic books to small grants to publish limited editions of artist books written by women. The list below is a diverse and eclectic sampling of what is out there, but there's likely something in there for everybody.
Who: Artists working in photography and photo-based art
When: Deadline is May 18, 2012
How Much: Up to $10,000
Eligibility requirements for this grant state that applicants are judged “on the basis of artistic excellence, accomplishment to date, and the promise of future achievement in the medium in its widest sense.” In other words, for those who are working professionals, and have both an extensive resume and portfolio, this award geared towards you. Just keep in mind you’ll be up against an esteemed panel of judges that have ranged from David Levi Strauss, Chair of the MFA Art Criticism & Writing program at SVA to Elizabeth Biondi, critic for the New Yorker.
Who: Asian artists
When: Deadline is November 1
How Much: Not typically exceeding $10,000
Who: Contemporary lesbian visual artists working in sculpture, painting, prints, mixed media, and works on paper
When: Date not available for 2013 yet
How Much: $2,500
Each year three grants are given, two of which are supported by an endowed gift from Joan Watts, a founding member and artist. Glittery portraitist Mickalene Thomas was a panelist for 2008/2009.
Who: The awesome amongst us
When: Awarded monthly. Applications are rolling.
How Much: $1,000




Notable Grantees: Penelope Umbrico, Gregory Crewdson
[Fine Print]Not available for students or recent IPF recipients, and you must apply online.
***
The Asian Cultural Council is by far one of the most dedicated organizations giving to Asian artists who are looking for funding to conduct research, study, receive special training, and pursue art in non-commercial settings, either in the United States or countries in Asia. The council gives money for anyone in the fields of Archaeology, Art History, Crafts, Dance, New Media, Painting/Sculpture/Installation, and more.
[Fine Print]: Grants vary in duration, from one month to one year, and the amounts can vary as well. Some fields not funded include publications, individual artist exhibitions, or performance tours, as well as undergraduate or secondary school study.
***
[Fine Print]: Candidates must show a commitment to social-justice feminism.
***
The Awesome Foundation is a loose network of small-time philanthropists who award $1,000 micro-grants to people with certifiably awesome ideas every month. Chapters consist of 10 trustees who each donate $100. The project can be artistic, scientific, and/or social in nature. Previous “awesome” projects have included a giant hammock in Boston, a mushroom farm made out of phone books in Ottawa, and a portable pipe organ.
[Fine Print]None — this grant is that awesome.

For more information and a complete list of grant, click the link below.

7/16/14

Leimay Fellowship



LEIMAY is accepting applications for our 1 Year LEIMAY Fellowship. We are seeking bodyworkers, dancers, small dance groups, and choreographers. The Fellowship includes monthly professional workshops led by LEIMAY's artistic directors, the opportunity to present their work as a part of LEIMAY's annual spring-summer festival SOAK, online promotion of the artists' activities, discounted rates on White Studio usage, 10 hours per week of access to the White Studio, and access to artistic supplies at Materials for the Arts. This fellowship started as a studio-share six years ago and has become an important resource for local artists in our community and one of the key programs at LEIMAY. Applications will open on May 1st, the deadline for submissions is August 15th and the LEIMAY Fellowship period spans from October 1st, 2014 to September 30th, 2015. For more information and for the application, please visit www.leimay.org. 

7/14/14

Opportunities: Fresh Tracks Performance & Residency Program (NY Live Arts)



Fresh Tracks Performance and Residency Program
The Fresh Tracks Program was created in 1965 by Dance Theater Workshop, and this year celebrates 50 years of providing a platform for new artistic voices to gain professional experience and recognition in the field. Each year, six early career choreographers are selected by a panel through a live audition process. Artists receive research, development and performance support.
Fresh Tracks provides opportunities for participating artists to engage directly with New York Live Arts staff, artists and arts professionals about their work within the context of the professional contemporary dance and performance field.
Audition for Fresh Tracks 2014-2015
In September 2014, New York Live Arts will hold auditions to select six choreographers for the Fresh Tracks program. Artists selected for the program will receive a series of professional development workshops and be presented by New York Live Arts in a three-night showcase in the theater January 29-31, 2015. In the spring, these artists will receive a commission, 50-hours of studio space for research and development, and two one-on-one sessions with an Artistic Advisor.
Criteria for Selection
New York Live Arts values experimentation, collaboration and a genuine commitment to new ideas and new aesthetics. We place a premium on the originality of ideas and the quality of their execution. A panel of artists and other professionals from the field will select artists based on their demonstration of the above qualities and must possess a keen desire to develop and explore their work with their peers in the context of a residency program.
How to Apply for an Audition
Of the 48 audition slots, 32 will be assigned randomly to artists who submit an online application. The remaining 16 slots will be assigned based on recommendations from individuals invited by New York Live Arts.
To request an audition based on the random selection, read the downloadable program Guidelines & FAQ and complete the Fresh Tracks Audition Form via the online link below. You may not save applications in process. Once applications are submitted they cannot be edited.
All forms must be SUBMITTED BY FRIDAY, AUGUST 1, 2014 10AM EST to be considered. No exceptions. New York Live Arts can only accept one form for each interested choreographer. New York Live Arts will randomly select 32 choreographers from the forms received. Selected choreographers will be contacted by email with their assigned audition slot. We regret that we can only contact those artists selected for auditions, and a list of the auditioners will be posted on our website once it is available. There is no fee to audition.
Please download and read the Guidelines & FAQ in its entirety for important information about the Fresh Tracks Program and eligibility.

5/28/14

Summer Subsidy at Triskelion





Applications now available for...
Triskelion Arts' 2014 
COLLABORATIONS IN DANCE FESTIVAL
September 11 - 14, 2014


Triskelion Arts is looking for premiere movement-based work that features a strong collaboration with an artist of another medium such as film, music, theater, etc. All submissions will be considered, and will be chosen on the basis of quality of work, nature of the collaboration, and appropriateness for the event.

DEADLINE: June 1st
More Info & Apply Here
Applications now available for...
Triskelion Arts' 2014/2015 
SPLIT BILL SERIES 
The deadline for the 2014 performance dates has passed. Now accepting submissions for two segments in 2015:
January 8 - 11, 2015
March 12 - 15, 2015


The intention of Triskelion Arts' 2014-2015 Split Bill Series  is to serve emerging artists looking for a stepping-stone between the showcase format, and full evening-length self-production. Seeking submissions of pieces that are 20 to 40 minutes in length. There is a specific focus on audience development, and as such, Triskelion Arts will encourage participants to actively pursue audiences and participate in the marketing process.

DEADLINE: June 15th 
More Info & Apply Here

Triskelion's NYSCA Summer Subsidy is back!

All rehearsals in studios X and Z will be just $10/hr for the months of July and August. (This subsidy is for rehearsals only and does NOT apply to classes, auditions, or shoots.) July rehearsal requests will open on
June 1st at 9am.

5/4/14

first look! 5/8 & 5/10



dancesbyremi will be presenting two new pieces in Brooklyn Ballet's 2014 First Look series! An evening of diverse dance styles of emerging NYC choreographers. I will be showing "bag lady" & "morning commute" with new music mixed by Gregory Honigsberg and featuring my talented crew of dancers, Satomi Itohara, Britni Lariviere, Jillian Egan, David Covington, Marina Yuri, Brianna Goodman, Marie Davis, Ellen DiStefano, & Morgana Phlaum. 

#makinmoves

Featured Artists:
Randy Burd & Amy Miller
Gierre Godley
Denae Hannah
Remi Harris
Nikki Hefko
Sarah Holmes
Kate Ladenheim
Mari Meade
Kendra Monroe
Nellie Rainwater

The Actor's Fund Theatre
160 Schermerhorn street btwn Hoyt and Smith streets
Brooklyn, NY 11201

Dates: Thursday, 5/8 & Saturday, 5/10

Tickets: $15 General, $10 Student/Senior

Get yo tickets now!!! first look ticket

r.

remi harris/dancesbyremi + SLMDances Show +Share 4/27 @Brooklyn Ballet




Come see what choreographers remi harris/dancesbyremi, Sydnie L. Mosley, and Sarah Chien have been up to in the studio! show + share provides the audience with the rare opportunity to see the artists's work as it is being developed, ask questions, and dig deeper into the process of creating movement.

I will be showing excerpts from my two new works, "bag lady" and "morning commute".

werk

Brooklyn Ballet
160 Schermerhorn
Brooklyn, NY
A,C,E, G train to Hoyt-Schermerhorn

r.

4/21/14

DIY Residencies

DIY Residencies: a career in the arts on your own terms

ono-hammer1

Note from author: This article originally published April 2nd by The Guardian, a media outlet that serves primarily a UK-based audience. The sub headline read; ‘From 24-hour plays to co-op leasing, US artists are ditching traditional residencies in favour of working on their own terms’. The article has been shared on social media channels over 1,000 times since publishing. Comment sentiments ranged from “these are great ideas, I want to try doing this on my own terms”, to “duh - artists have been doing this forever”. In following the social media conversations, other interesting approaches to DIY Residencies were shared. I included some of these examples as an addendum to the article below and invite the Fractured Atlas audience to share additional examples via the comments. - Lisa Niedermeyer
Read the entire article here

3/27/14

ROULETTE presents 
SECOND NATURE in NEXT TO NOTHING 
and Special guest: THERE'S NO LAW


























It's Showtime! It's officiallt Spring and we invite you to two full evenings turned inside out as we improvise far beyond/outside the box and inhabit a stanger heartchamber. Please come share our delight and implosive humor!

April 3 & 4, 2014 // 8:00pm (Thursday/Friday)
ROULETTE: 509 Atlantic Avenue (entrance at the corner of 3rd Avenue) Brooklyn, NY 11217
With Special guests: THERE'S NO LAW:
Rachel Cohen, Irene Siegel, Andrea Stanley, Wil Carpenter and Michael Henry

NEXT TO NOTHING by Cassie Tunick, Heather Harpham, Danny Tunick. 
This musical/physical/vocal exposure of the present moment reveals what we've know all along-nothing happens for a reason. Next to nothing, there's always something clamoring to exist. In this fully improvised performance, distinctly evolved narratives dovetail with intricate dances. Songs avalanche out of sound, morph into gestural architectures with a keen ear for broken rhythms and altered states of mind. The will-o'-the-wisp moment is made flesh in Second Nature's ongoing exploration of the physical supernatural and the real-as-your-hometown. Lights by Nicholas Houfek.

2014 Summer Leadership institute with Urban Bush Women


2014 Summer Leadership Institute


The Free Southern Theater Model - Addressing inequality by claiming our places, our legacy, our stories...


July 25 - August 3, 2014
Tulane University | New Orleans, LA

 
Calling all artists, educators, activists and cultural workers!
We invite you to apply for the opportunity to learn and share with us at the 2014 Summer Leadership Institute (SLI). Join us as we research the models of The Free Southern Theater (FST)/Student Non-Violent Coordinating Committee (SNCC). Based on our research we will spend 10 intensive days learning from elders involved with FST, sharing our own best practices for community organizing and place-based art making and collaborating on a culminating performance that highlights our learning. Don't miss out on the chance to be a part of this unique experience!

Discover why many participants apply to SLI year after year
As a non-profit leader who is growing and evolving in my understanding of my own organization's impact on the individuals and communities where we work and why I felt the urge to create it in the first place, my participation in the SLI was crucial in giving me access to others who might be confronting similar questions but also offering me the space to explore movement and song in my own way as a "language" for connecting to my often turbulent emotions and thoughts.
- SLI Alum
 
Need financial assistance?
We offer a limited number of scholarships and intern positions. Participants may also apply through an organization or third-party funder.

 

All applications are due April 4, 2014

 

Participants must be 18+ years old and are required
to participate for the full 10 days.  

 
If you have any questions please email Keisha Turner, SLI Coordinator at sli@urbanbushwomen.org or call our SLI line at 718-398-4783.
  

Calling all Bed-Stuy Artists!

Hello Brooklyn Community!


STooPS 2014 is on it's way! 
AND..
STooPS is looking for submissions from Artist of all mediums and genres to present engaging site specific work on various stoops throughout Bed-Stuy.

Artists MUST be residents of or have some affiliation to Bed-Stuy!

Works will be part of STooPS, a community-building event that uses the arts to bring people of the Bed-Stuy community outside and promote social interaction amongst artists, residents, homeowners, and businesses of Bed-Stuy. Last year's event attracted nearly 200 attendees and more importantly helped create lasting relationships between community members and entities.

Looking for all types of art including but not limited to dance, theater, music, spoken word, visual art, jewelry making, textile design, film/video, hair design, etc. Especially looking for interactive pieces and work that focuses on engaging the community with the artist and/or each other. Performance pieces will be no more than 10 minutes.

The event will be held on Saturday, June 14 2014 from 11am-6pm. Please submit headshot, resume, work samples/URL to website, a proposal/description of the work you intend to create (no more than 1 page) and a $15 submission fee for STooPS. All submissions due by April 16.

To submit work please go to STooPS Once you complete the form you will be automatically redirected to PayPal to pay your submission fee.

For questions please contact info@stoopsbedstuy.org

Thank you!
STooPS Staff

3/18/14

Bedroom Electric with DJ JustGregory


Tuesday nights +Huckleberry Bar

Applications open for Chez Bushwick Artist in Residence Program


News

Applications are open for Chez Bushwick Artists In Residence program Cycle 2, 2014

Chez Bushwick is offering a three month residency dedicated to fostering the creation, development, and performance of new work by both emerging and mid-career choreographers. Chez Bushwick will provide subsidized rehearsal space during off-peak hours, monthly peer forums, and a culminating performance at CPR -Center for Performance Research to support the creative processes of selected artists. Chez Bushwick Residency Artists are curated through an open application process, and final selections are chosen by a panel of industry professionals.
Resources Provided by Chez Bushwick:
100 hours of rehearsal space during off-peak hours
(Monday – Sunday, 8am – 11am & 9pm – 12am)
Three peer group showings with other Artists in Residence
Culminating presentation of new work in a
Chez Bushwick Presents 2Night Show at CPR – Center for Performance Research.
Residency Timeline:
Application Due: Friday, April 18
Residency Notification: Friday, May 9
AIR Meet & Greet: Thursday, May 29
Studio Residency: June 30 – September 14
Peer Showings: July 17, August 7, August 28
Performance Tech: September 17
Performance Dates: September 18 – 19

#bag lady

Coming soon....

3/12/14

The Business of Art: On Grant Applications


--From NYFA.org

When it comes to writing about their work, many artists have the same complaint: if I could write it, I wouldn't need to paint/compose/perform it! Writing about your work can be difficult, and doing so in the context of asking for money can be even more intimidating, but when you find a grant opportunity that's perfect for you, following some of the steps outlined below will help you create the best application possible.

Continue reading,
The Business of Art: On Grant Applications

3/7/14

Floor Friends March Happenings!



Floor Friends March classes and Events with Sarah Chien, Oscar Santana, and Elia Mrak!




Free Class with Ronald K. Brown/Evidence, A Dance Company



Ronald K. Brown/Evidence, A Dance Company in partnership with BRIC Arts Media is offering a series of FREE Community Dance classes taught by Ronald K. Brown and members of his dance company.

All ages and skill levels are welcome to join!
Evidence, A dance Company blends traditional African dance with contemporary choreography and spoken word providing a unique view of human struggles, tragedies, and triumphs. These Community class, accessible for all ages and skill levels, are rooted in the Company's fusion aesthetic. Go and discover the joy of dance with those in your community.

Monday, March 10 Ingersoll Community Center           6-7:30pm
Monday, March 21 Ingersoll Community Center           6-7:30pm
Monday, April 7     BRIC House                                  6-7:30pm
Monday, April 21   Ingersoll Community Center           6-7:30pm
Monday, May 5      BRIC House                                  6-7:30pm
Monday, May 19    BRIC House                                  6-7:30pm

Locations:
Ingersoll Community Center:
177 Myrtle Avenue, Brooklyn, NY 11201

BRIC House:
647 Fulton Street, Brooklyn , NY 11217

2/18/14

Petros Klampanis: CONTEXTUAL


Petros was my roommate many moons ago. I used to fall asleep to him practicing on his upright bass. 
Phenomenal musician; go see him.
R

Choreographic Intensive: DOUG VARONE

DEVICES: Choreographic Intensive

A brand new addition to our workshop offerings


We are so excited to officially launch registration for DEVICES, a brand new, three-part Intensive created specifically for serious, emerging choreographers.  
  • PART 1: May 25-30: In a week-long kick-off hosted by Hunter College, Varone will share his insights into craft, design and composition through finely honed creative games and devices. Throughout the week, participants will build material using Varone’s seasoned dancers as their palette. 
  • PART 2: June-September: In the following months, Varone will continue to mentor the participants as they each create a new dance on their own dancers.
  • PART 3: September: Finally, the finished dances will be presented in a fully-produced, mini-festival in NYC.
Space for this experience is extremely limited.  For important dates and information on how to apply, check out our website
 

Summer Workshop

If you're looking for a different kind of experience, check out our Summer Workshop, taking place this year fromJune 1-21 in upstate New York at The College at Brockport.

For three weeks, we’ll live together, work together, create together and grow together as we explore technique, phrasework, improvisation, ballet and other exciting electives.  Doug and the Company build a safe haven that will allow you to challenge yourself and grow in both mind and body.

For class and faculty descriptions, check out our website.

Audition & Workshop with NATHAN TRICE


 
n a t h a n t r i c e / R I T U A L S  
d a n c e   t h e a t e r
AUDITION / WORKSHOP!!!! 
 
 
MARCH 3 - 7, 2014 11am - 1pm 
   
nathantrice/RITUALS dance theater will be giving a
one week workshop and holding company auditions
for it's Summer Intensive Performance Project   
 
 
nathan trice, artistic director/founder of nathantrice/RITUALS project-by-project dance theater is looking for 2 female, and 1 male creative, experienced dancer/teacher/vocalist for his Summer Intensive Performance Project.
 
The S.I.P.P. is a paid teaching, creative rehearsal process that culminates with 3-weekend performances. The project begins June 8th and completes September 28, 2014. If you are interested in attending the audition/workshop please confirm your attendance at:skl.nathantricerituals@gmail.com
 
 
The workshop fee is $12.00 a day or $50.00 for the complete five days. 

LOCATION:
Restoration Youth Arts Academy is located at
247 Herkimer Street, Brooklyn NY, within
The Restoration Plaza.  The Plaza is located
on Fulton st btw Brooklyn
 ave and New York.
Take the A, C or E train to Nostrand Ave,
walk one block up Fulton to New York and
make a right into the Plaza.  
The workshop/audition
will be held in studio A on the 2nd floor of the
Youth Arts Academy building (247 Herkimer),
just next to the Duane Reade store.