Showing posts with label #dancebusiness. Show all posts
Showing posts with label #dancebusiness. Show all posts

10/1/14

"The Unattainable Economics of Dancing" by Andy Horwitz


Liz Santoro and Cecilia Eliceche in Heather Kravas "A Quartet"
photo by Jenny May Peterson

I read this piece a few months back and was reminded of it this past weekend. Note to self, if an article or idea leaves an impression on you, you should bookmark it and re-read it again later. It feels like an entirely different me that read the same piece not too long ago.

Anyway, this piece discusses the all to well known reality of how hard it is to make it as a professional dancer in New York City. The staggering cost of life in the city, crippling student loan debt, too few paying projects, dance companies with little funding, an over saturated scene, administrative jobs that are still paying $15/hr (if you're "lucky") and a closed minded/incestuous "downtown" scene are just some of the problems we face.

It had me thinking of not only the problems I face as an artist but what my contributions are doing to the community itself. Every time I take a low to non paying job, am I possibly advancing my career with a new opportunity or continuing this practice of non-paid labor the norm? Do I continue to support the same 5 individuals who are currently being funded, supported, uplifted, and produced by the same community that shuns others not raised by their hands? Do I continue to take their classes and watching their performances knowing that the same can't be said for them for others not in the clique?

Do I continue starve for the sake of dance?

Everyone should read this article as it asks us to think about the roles we play in the community; good and bad.

My heart breaks....

The Unattainable Economics of Dancing"

7/25/14

20 Top Artist Grants and Fellowships You Might Actually Be Able to Get | BLOUIN ARTINFO




Making art is expensive business, and working artists look for any financial help they can get. To supplement the costs of fabrication, art materials, studio space, and travel, one of the most popular sources of funds is fellowships and grants. For our ongoing series on resources for artists in these tough times, ARTINFO has researched the many funding options available in the United States, and compiled a handy guides of the ones that are within reach of the average artist.


As with residencies, which we covered in two parts, we discovered that there are tiers to fellowships and grants, and not all are created equal. Some of the most prestigious and hefty prizes are the Joan Mitchell Foundation Grant, the MacArthur Fellowship, and the Larry Aldrich Foundation Award. Each come with big money grants — but they are also available by nomination only. When it comes to grant money that is attainable by open application, the pool is wide but the eligibility requirements also vary greatly — from awards for making comic books to small grants to publish limited editions of artist books written by women. The list below is a diverse and eclectic sampling of what is out there, but there's likely something in there for everybody.
Who: Artists working in photography and photo-based art
When: Deadline is May 18, 2012
How Much: Up to $10,000
Eligibility requirements for this grant state that applicants are judged “on the basis of artistic excellence, accomplishment to date, and the promise of future achievement in the medium in its widest sense.” In other words, for those who are working professionals, and have both an extensive resume and portfolio, this award geared towards you. Just keep in mind you’ll be up against an esteemed panel of judges that have ranged from David Levi Strauss, Chair of the MFA Art Criticism & Writing program at SVA to Elizabeth Biondi, critic for the New Yorker.
Who: Asian artists
When: Deadline is November 1
How Much: Not typically exceeding $10,000
Who: Contemporary lesbian visual artists working in sculpture, painting, prints, mixed media, and works on paper
When: Date not available for 2013 yet
How Much: $2,500
Each year three grants are given, two of which are supported by an endowed gift from Joan Watts, a founding member and artist. Glittery portraitist Mickalene Thomas was a panelist for 2008/2009.
Who: The awesome amongst us
When: Awarded monthly. Applications are rolling.
How Much: $1,000




Notable Grantees: Penelope Umbrico, Gregory Crewdson
[Fine Print]Not available for students or recent IPF recipients, and you must apply online.
***
The Asian Cultural Council is by far one of the most dedicated organizations giving to Asian artists who are looking for funding to conduct research, study, receive special training, and pursue art in non-commercial settings, either in the United States or countries in Asia. The council gives money for anyone in the fields of Archaeology, Art History, Crafts, Dance, New Media, Painting/Sculpture/Installation, and more.
[Fine Print]: Grants vary in duration, from one month to one year, and the amounts can vary as well. Some fields not funded include publications, individual artist exhibitions, or performance tours, as well as undergraduate or secondary school study.
***
[Fine Print]: Candidates must show a commitment to social-justice feminism.
***
The Awesome Foundation is a loose network of small-time philanthropists who award $1,000 micro-grants to people with certifiably awesome ideas every month. Chapters consist of 10 trustees who each donate $100. The project can be artistic, scientific, and/or social in nature. Previous “awesome” projects have included a giant hammock in Boston, a mushroom farm made out of phone books in Ottawa, and a portable pipe organ.
[Fine Print]None — this grant is that awesome.

For more information and a complete list of grant, click the link below.

5/28/14

Summer Subsidy at Triskelion





Applications now available for...
Triskelion Arts' 2014 
COLLABORATIONS IN DANCE FESTIVAL
September 11 - 14, 2014


Triskelion Arts is looking for premiere movement-based work that features a strong collaboration with an artist of another medium such as film, music, theater, etc. All submissions will be considered, and will be chosen on the basis of quality of work, nature of the collaboration, and appropriateness for the event.

DEADLINE: June 1st
More Info & Apply Here
Applications now available for...
Triskelion Arts' 2014/2015 
SPLIT BILL SERIES 
The deadline for the 2014 performance dates has passed. Now accepting submissions for two segments in 2015:
January 8 - 11, 2015
March 12 - 15, 2015


The intention of Triskelion Arts' 2014-2015 Split Bill Series  is to serve emerging artists looking for a stepping-stone between the showcase format, and full evening-length self-production. Seeking submissions of pieces that are 20 to 40 minutes in length. There is a specific focus on audience development, and as such, Triskelion Arts will encourage participants to actively pursue audiences and participate in the marketing process.

DEADLINE: June 15th 
More Info & Apply Here

Triskelion's NYSCA Summer Subsidy is back!

All rehearsals in studios X and Z will be just $10/hr for the months of July and August. (This subsidy is for rehearsals only and does NOT apply to classes, auditions, or shoots.) July rehearsal requests will open on
June 1st at 9am.

3/12/14

The Business of Art: On Grant Applications


--From NYFA.org

When it comes to writing about their work, many artists have the same complaint: if I could write it, I wouldn't need to paint/compose/perform it! Writing about your work can be difficult, and doing so in the context of asking for money can be even more intimidating, but when you find a grant opportunity that's perfect for you, following some of the steps outlined below will help you create the best application possible.

Continue reading,
The Business of Art: On Grant Applications

3/7/14

2/3/14

Money/Art


"Think of yourself like a business. One has to make more money than it spends. One that has to think about things like marketing, press, and balance sheets. Nobody benefits from you being a "starving artist"- not you, not your audience, and not your industry." -Of A Kind

1/12/14

The Trey McIntyre Project


Recently The Trey McIntyre Project  announced that the full time company would soon shift into a multimedia company that will focus on film, photography and writing. Trey himself will continue to choreograph but the company will move towards a more diversified palette that will still include some dance. The company has had a successful 10 year run, a steady stream of revenue, international touring opportunities, and acclaimed work. So why the shift?

Sydney Skybetter wrote a great article about this. Read it here. know when to fold 'em

What do you think of Trey McIntyre's decision to move on?

R


1/2/14

Happy New 2014 with a brand spanking new website!!


I generally don't make any new resolutions for the new year because I know I generally will not follow them all. 

I will say that I am going to make every effort to work towards a new me. The fear, worry, and excuses will be put to the side and I will continue to strive to be better. With that said, I have a new website, subwaystories is about to hold auditions and go to phase two, and I got a new job.

Let's do this!

New Website!

All the best for 2014,
R

11/12/13

New Art opportunities with Mayor-Elect Bill De Blasio Government reform?


Cedar Lake Contemporary Ballet
DanceNYC Executive Director Lane Harwell writes in HuffPost Arts & Culture about opportunities for the Arts in Mayor-Elect Bill DeBlasio's One New York. He touches on affordable housing, Arts education, reliable transportation and a framework for sustainability as a city.
Thoughts on the future of Art & Culture in New York? (I know, such a general statement). 
Do you think Art reform correlates to De Blasio's vision for government transparency and encouraging New Yorkers to develop community based priorities?
R

9/27/13

World premiere of "We Apologize For Any Inconvenience"



Danita S.
I had a fantastic performance with Banana Peel at BARD High School this past spring. I also had the opportunity to premiere a new solo "We apologize for any inconvenience" with Danita as the soloist. This girl is a beast! Such a fun process and she really brought my thoughts and ideas to life. To have a dancer who is so smart, talented and willing to go on an adventure with you is such a pleasure. THANK YOU DANITA!!!!
Below is the video from that show. But of course I didn't have enough memory so I didn't get all if it.
Oh well, c'est la vie!
I hope you enjoy!

Remi


5/5/13

Sexism in Dance?


The Jasmin Vardimon Company.
photo by Ben Harries

As a nation we are well supplied with choreographers. Matthew Bourne, Akram Khan, Wayne McGregor, Liam Scarlett, Christopher Wheeldon… the list goes on. All are highly acclaimed, players on the world stage, their services booked for years ahead. So why are their female colleagues struggling for visibility? Why, when British dance was founded by women like Ninette de Valois and Marie Rambert, and has always employed more women than men, are there no high-profile women choreographers?
Read the full article here: Sexism in Dance


The Guardian has an interesting article regarding the lack of high profile female choreographers, particularly in Great Britain. 
Do you think the same holds true for us here in the US? Are male choreographers more regarded, more funded, more praised for their work compared to female choreographers?

Hmm...well...

4/24/13

Food For Thought

Dancers from Trey McIntyre Project

I am increasingly trying to figure out new ways to support myself with Dance. Previously, I didn't like mixing dance and money together; Art should be about the "creation" and "process" not the profit right?
Well, times have changed. If I want to continue to be an Artist I have to figure out how to support myself financially so I don't have to continue with 10 side jobs.
How do you support yourself financially as an Artist?
I found this article today.
Great read!
Why Hewlett-Packard is hiring dancers